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Following Conditions”, by Abe Duque, takes in sounds from glitch and house. The B-side track “Outlook” is a hard minimal number ideal for those late hours when there’s no going back (at least not until sunrise).
For ABE DUQUE music is very much a labour of love. He’s one of those guys who couldn’t stop making music if he wanted to.DUQUE’s lengthy discography charts a highly productive career as a recording artist over the last fifteen years. From his roots in Hollis, New York, the man first rose to recognition under his KIRLIAN alias. He soon made connections with Munich based label Disko B and is a long term honourary of DJ HELL’s International Deejay Gigolos for whom he did the American Gigolo 2 mix last year. Following 2004′s acclaimed So Underground It Hurts, ABE DUQUE’s new solo album When The Fever Breaks has also won acclaim from all sides. This single includes exclusive extended new mixes of two of the hottest tracks from said album. While Following Conditions takes in sounds from glitch and house, B-side track Outlook is a hard minimal number ideal for those late hours when there’s no going back (at least not until sunrise). Although the hard straight beat at the core of Outlook proves misleading as the track goes on to develop on beautiful jazzy xylophone melodies. While the music is without a doubt prime, its still not clear if ABE named the tune after his email program. With ABE’s own label doing so well – recent releases from himself, GENARRO LE FOSSE and the RANCHO RELAXO ALLSTARS – it is sweet that Sir DUQUE still finds time for an exclusive vinyl release on Gigolo, label of his long-term friend and colleague DJ HELL, with which he has been so closely affiliated since word go. ABE DUQUE has released on Disko B, Gigolo, Mille Plateaux and Crosstown Rebels. He has remixed the likes of HELL, CHEMICAL BROTHERS, PET SHOP BOYS and KRAFTWERK and worked with RICHARD DORFMEISTER, PATRICK PULSINGER and JIMMY TENOR (on RANCHO RELAXO’s). He has the rare talent as an artist of being liked by pretty much everyone.
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